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Battre encore

Creation 2021

Puppet - tabletop, carried, inhabited - and shadow theater
All ages from 14 years old
Duration: 1 hour 05 minutes
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Once upon a time, there was a country under the yoke of a tyrant who used to seize the most beautiful young women. This merciless ogre chose them during a sumptuous ball. Three sisters receive an invitation to this fateful reception. Now they must dance with the despot and his henchmen. What if they refused to submit? Using visual theater, Delphine Bardot explores the images produced by the confrontation between an actress and the male character she manipulates. This body language recounts, more intensely than words, the forms of domination and the refusal to submit to it. In a disturbing atmosphere where shadows lurk, Santiago Moreno's music, inspired by popular Latin American tunes, blends with the sound of the cello. The story is loosely based on the story of the "Mariposas," the nickname of the Mirabal sisters, Dominicans murdered by the dictator Trujillo in 1960. Deliberately moving away from the documentary form, the show evokes the joint struggle of peoples and women who decide to say "no" to military power, "no" to the oppressive man.

Information

Staging : Delphine Bardot and Pierre Tual
Dramaturgy 
: Delphine Bardot, Pierre Tual and Pauline Thimonnier
Text 
: Pauline Thimonnier
Musical creation : Santiago Moreno
Interpretation : Delphine Bardot, Bernadette Ladener and Amélie Patard
Lighting design : Joël Fabing
Lighting design and control : Charline Dereims
Costumes : Daniel Trento
Puppets, shadows and animated objects
 : Delphine Bardot, Lucie Cunningham and Santiago Moreno
Scenography – design : Delphine Bardot and Daniel Trento
Scenography – production : Daniel Trento, Carole Nobiron and Émeline Thierion
Production & Distribution: Claire Girod
Production Assistance : Aurélie Burgun
Communication : Sandrine Hernandez

 

PARTNERS

Co-production: La Manufacture, CDN Nancy Lorraine /54; CCAM, National Stage of Vandœuvre-lès-Nancy /54; Théâtre La Méridienne, Stage approved for cross-writing in Lunéville /54; Transversales, Stage approved for the Verdun circus /55; Le Sablier, National Puppet Center in preparation, Ifs and Dives-sur-Mer; La Machinerie 54, Stage approved for national interest (in the process of being approved) in Homécourt /54
Pre-purchases : Le Mouffetard, puppet arts theater of Paris /75, Le Triangle de Huningue /68
Reception in residence : The LEM, Nancy Puppet Experimentation Site /54, The Tomblaine Source Theater /54
Supporters : Battre encore received support from the Grand Est Regional Directorate of Cultural Affairs. This project benefited from assistance from the City of Nancy.

Press

The World

A powerful and moving show
Cristina Marino, THE WORLD

Télérama

An intense, sensitive, virtuoso show, obviously necessary.” TT
Thierry Voisin, TELERAMA

ALL CULTURE

A show in the form of a silent scream, to show violence and injustice, and the rage they generate. Uncompromising but not without subtlety, visually superb, musically successful, an absolute must-see..”
Mathieu Dochtermann, ALL CULTURE.

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We marvel at such ingenuity, we wonder how many people are there, behind, to set in motion everything that moves on stage. It's beautiful!
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The directors skillfully combine several techniques: puppets carried by the performers' "castle-bodies", Chinese shadows, projections, mannequins, body fragments, masks... The dissolves testify to the virtuosity of these artists...
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