Trans/mission
The company supports varied audiences (children, adolescent·es, students) in various mediation and training actions, regionally and nationally, to share and promote all the richness of visual and musical theater. We most often offer in our creations a unique language based on wordless writing and this is also what we transmit in our educational approaches..
Our cultural action projects always revolve around puppetry and music, whether in practice or in construction.
These workshops allowed us to address sensitive themes such as inner monsters., harassment, sexism, gender issues. And to transmit our artistic practices and techniques such as manipulation or musical and rhythmic production. These workshops are led mainly by Delphine Bardot or Santiago Moreno and are tailor-made.
Some examples of actions or training carried out :
CULTURAL ACTIONS
WITH SCHOOLS OR HIGHER EDUCATION
Master class : discovery of the puppet arts
5h with students
As part of their teaching in directing and dramaturgy, Delphine Bardot offered students an overview of the arts of puppetry and …
Paper Doll
35h with a high school class
Using artisanal printing techniques, the students created silhouettes of female and/or male bodies with Delphine Bardot and Sophie Lécuyer. …
Monsters
32 h with 1 middle school class
Delphine Bardot offers work exploring the monster within, with an artisanal selfie/morphing process. Based on a neutral mask, every child …
ARTISTIC ACTIONS
FOR FAMILIES AND AMATEUR AND PROFESSIONAL ARTISTS
Exploring the musicality of the puppet
18h with fifteen participating adult trainees
During the internship, Santiago Moreno shares his unique universe of Man-Orchestra which focuses particularly on the sounds produced by the movement of the puppet, of …
In rhythm
Parent/child workshop
of 1 at 10 a.m. – from 4 has 104 ans
Santiago Moreno offers a body percussion workshop open to children from 4 ans. Everyone can learn …
FORMATION FOR ENTERTAINMENT PROFESSIONALS
Delphine Bardot offers courses for entertainment professionals
(actors, puppeteers, dancer) to transmit his bodily and musical relationship to the puppet, his techniques developed throughout 20 years of practice and share with them his research locations.
Body/puppet experimentation laboratory
18h with 12 adult trainees, performing arts professionals
From the notions of dissociation, corps- castle, deported masks, merged puppet, major or minor presence of manipulators, trainees can …