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Dans ma r\u00e9flexion f\u00e9ministe, la question de l\u2019invisibilisation syst\u00e9mique des femmes est venue se frotter avec espi\u00e8glerie \u00e0 mon m\u00e9tier de marionnettiste. Alors m\u00eame qu\u2019en 2025 on d\u00e9busque patiemment tous les endroits d\u2019effacements r\u00e9currents des femmes (dans l\u2019histoire, dans l\u2019espace public, dans notre quotidien), je me suis interrog\u00e9e sur le lien entre mes luttes et mes pratiques. Sur mes contradictions aussi. Comment notamment je m\u2019invisibilise au profit de l\u2019objet et me fonds dans le d\u00e9cor ou au contraire la fa\u00e7on dont je tue la marionnette et viens prendre la lumi\u00e8re ? Pourquoi j\u2019ai choisi ce m\u00e9tier en particulier. Cagoul\u00e9e ou non, avec et sans marionnette, je vous propose de partager ces r\u00e9flexions, qui me conduisent vers la cr\u00e9ation de Femme Invisible, monologue pour une femme en voie de disparition. Ph\u00e9nom\u00e8ne troublant et attest\u00e9 sociologiquement : il parait qu\u2019\u00e0 partir de 50 ans, les femmes s\u2019\u00e9vaporent myst\u00e9rieusement de nos repr\u00e9sentations\u2026
Mais o\u00f9 vont-elles ?<\/p>\n