{"id":33970,"date":"2023-09-27T13:57:09","date_gmt":"2023-09-27T11:57:09","guid":{"rendered":"https:\/\/cielamuette.com\/site-2024\/?post_type=project&p=33970"},"modified":"2025-11-05T09:43:16","modified_gmt":"2025-11-05T08:43:16","slug":"les-folles","status":"publish","type":"project","link":"https:\/\/cielamuette.com\/en\/project\/les-folles\/","title":{"rendered":"Les folles"},"content":{"rendered":"

[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”About Section” module_id=”texte” module_class=”texte” _builder_version=”4.27.2″ background_color=”#0095b6″ background_image=”https:\/\/cielamuette.com\/wp-content\/uploads\/2024\/09\/Les-folles-cie-la-muette.webp” parallax=”on” parallax_method=”off” background_blend=”multiply” custom_margin=”||0px||false|false” custom_padding=”50px||50px||false|false” custom_padding_tablet=”|0px||0px|false|false” custom_padding_phone=”||||false|false” top_divider_color=”#FFFFFF” top_divider_height=”458px” top_divider_repeat=”1x” top_divider_flip=”horizontal” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ use_custom_gutter=”on” make_equal=”on” custom_padding_last_edited=”on|desktop” _builder_version=”4.27.0″ _module_preset=”default” background_enable_color=”off” width=”75%” width_tablet=”90%” width_phone=”90%” width_last_edited=”on|desktop” custom_margin=”30px||||false|false” custom_padding=”30px|0px|0px|0px|false|false” custom_padding_tablet=”|0px||0px|false|false” custom_padding_phone=”|0px||0px|false|false” animation_direction=”bottom” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.27.0″ _module_preset=”default” background_color=”#FFFFFF” transform_translate=”0px|-86px” transform_translate_linked=”off” custom_padding=”40px|40px|30px|40px|false|false” custom_padding_tablet=”40px|40px|30px|40px|false|false” custom_padding_phone=”40px|40px|30px|40px|false|false” custom_padding_last_edited=”on|phone” animation_style=”slide” animation_direction=”bottom” animation_duration=”1050ms” animation_intensity_slide=”3%” global_colors_info=”{}”][et_pb_icon font_icon=”M||divi||400″ icon_color=”#263033″ icon_width=”38px” url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjMyODk4In19@” align=”right” _builder_version=”4.27.0″ _dynamic_attributes=”url” _module_preset=”default” custom_margin=”0px||0px||false|false” global_colors_info=”{}”][\/et_pb_icon][et_pb_text admin_label=”Title” _builder_version=”4.27.4″ text_font=”||||||||” header_font=”Abel||||||||” header_text_color=”#2c2f76″ header_2_font=”Abel|||on|||||” header_2_text_align=”left” header_2_text_color=”#0095b6″ header_2_font_size=”40px” header_2_line_height=”1.3em” header_3_font=”–et_global_heading_font|500||on|||||” header_3_text_color=”#17657d” header_3_font_size=”40px” header_4_text_color=”#0095b6″ header_4_line_height=”1.2em” header_5_font=”|300|||||||” header_5_text_color=”#17657d” header_5_font_size=”18px” custom_margin=”-5px||0px||false|false” custom_padding=”||0px||false|false” animation_style=”fade” animation_direction=”top” animation_duration=”600ms” animation_delay=”150ms” global_colors_info=”{}”]<\/p>\n

Les folles<\/h3>\n

Cr\u00e9ation 2017<\/h5>\n

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Parcours po\u00e9tique de r\u00e9sistance<\/strong>
Dur\u00e9e 1h30<\/strong>
Tout public \u00e0 partir de 10 ans<\/strong>
_<\/h4>\n
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\n

Dans cet astucieux triptyque compose\u0301 de deux solos et d\u2019une exposition, La Mue\/tte rend un vibrant hommage aux me\u0300res argentines, qui depuis quarante ans se mobilisent pour savoir ce qu\u2019il advint de leurs enfants disparus durant la dictature militaire.
Point de Croix<\/em>\u00a0est une me\u0301taphore de la pugnacite\u0301 de ces femmes au foulard brode\u0301, tandis que\u00a0Silencio es salud<\/em>\u00a0rappelle,\u00a0a\u0300 partir d\u2019archives, la brutalite\u0301 et le cynisme des dirigeants responsables de la disparition de 30 000 personnes.<\/p>\n

Deux spectacles sans paroles, augmente\u0301s d\u2019une exposition\u00a0Broder pour r\u00e9sister<\/a>\u00a0pre\u0301sentant des photos historiques, une reconstitution d\u2019une \u00ab\u00a0marche de la r\u00e9sistance\u00a0\u00bb en marionnettes et un court film anime\u0301.<\/p>\n

Dans ce spectacle prote\u0301iforme, entre the\u0301a\u0302tre, manipulation d\u2019objets, jeu d\u2019ombres et projections,\u00a0Les Folles<\/em>\u00a0convoque le souvenir dans un poe\u0300me visuel engage\u0301 dans la transmission d\u2019une me\u0301moire re\u0301cente et pourtant fragile.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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DISTRIBUTION<\/h3>\n

Conception, construction, mise en sce\u0300ne, jeu<\/strong>\u00a0: Delphine Bardot, Santiago Moreno
Musique et dispositif sonore<\/strong>\u00a0: Santiago Moreno
Costume et construction<\/strong>\u00a0: Daniel Trento
Construction et broderie<\/strong>\u00a0: Lucie Cunningham
Cre\u0301ation lumie\u0300re<\/strong>\u00a0: Phil Colin
Broderies<\/strong>\u00a0: e\u0301tudiants en Brevet des Me\u0301tiers d\u2019Art et CAP Broderie (2016\/2017) du lyce\u0301e Paul-Lapie de Lune\u0301ville
Regards exte\u0301rieurs<\/strong>\u00a0: Nicole Mossoux (Point de croix<\/em>) et Jacopo Faravelli (Silencio es salud<\/em>)
Regard complice<\/strong>\u00a0: Ame\u0301lie Patard (Point de croix<\/em>)
Regard magique<\/strong>\u00a0: Benoit Dattez (Silencio es salud<\/em>)
Production<\/strong>\u00a0: Claire Girod
Assistante de production<\/strong>\u00a0: Aure\u0301lie Burgun<\/p>\n

 <\/p>\n

PARTENAIRES<\/h3>\n
Coproduction<\/strong>\u00a0:\u00a0TGP, Sc\u00e8ne conventionn\u00e9e pour les arts de la marionnette de Frouard ; CCAM, Sc\u00e8ne nationale de Vand\u0153uvre-l\u00e8s-Nancy ; La M\u00e9ridienne, Sc\u00e8ne conventionn\u00e9e pour les \u00e9critures crois\u00e9es de Lun\u00e9ville ; Le Passage, Sc\u00e8ne conventionn\u00e9e Th\u00e9\u00e2tre et Objets de F\u00e9camp ; Le Sablier, Centre national de la marionnette en pr\u00e9paration, Ifs et Dives-sur Mer ; La Manufacture, CDN Nancy-Lorraine ; Transversales, Sc\u00e8ne conventionn\u00e9e cirque de Verdun.
Soutiens<\/strong>\u00a0: Festival Mondial des Th\u00e9\u00e2tres de marionnettes de Charleville-M\u00e9zi\u00e8res ; Le Mouffetard, Th\u00e9\u00e2tre des arts de la marionnette de Paris ; Espace Bernard-Marie-Kolt\u00e8s, Sc\u00e8ne conventionn\u00e9e \u00e9critures th\u00e9\u00e2trales contemporaines de Metz ; Le NEST, CDN transfrontalier de Thionville-Grand Est ; le LEM de Nancy ; La Muda, centre culturel de Buenos Aires (Argentine), le Lyc\u00e9e Paul-Lapie de Lun\u00e9ville.<\/h6>\n
Ce spectacle a b\u00e9n\u00e9fici\u00e9 de l\u2019aide \u00e0 la cr\u00e9ation de la R\u00e9gion Grand-Est, de l\u2019aide \u00e0 la\u00a0production dramatique de la DRAC Grand Est et du soutien de la Ville de Nancy.<\/strong><\/h6>\n

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Pre\/sse<\/h3>\n

[\/et_pb_text][et_pb_slider _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|300|||||||” header_font_size=”22px” header_letter_spacing=”1px” background_color=”#17657d” custom_padding=”30px|20px|60px|20px|false|false” custom_padding_tablet=”30px|20px|60px|20px|false|false” custom_padding_phone=”30px|20px|60px|20px|false|false” custom_padding_last_edited=”on|desktop” global_colors_info=”{}”][et_pb_slide heading=”FRANCE CULTURE” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

Aude Lavigne, FRANCE CULTURE (Les carnets de la Cr\u00e9ation)
<\/strong><\/p>\n

\u201cUn spectacle magnifique avec une multitude de techniques et beaucoup d\u2019ing\u00e9niosit\u00e9. Une th\u00e9matique hautement marionnettique : faire voir les disparus\u201d.<\/p>\n

[\/et_pb_slide][et_pb_slide heading=”T\u00c9L\u00c9RAMA” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

Thierry Voisin, T\u00c9L\u00c9RAMA (TT)<\/strong><\/p>\n

\u201cDans un astucieux triptyque, compos\u00e9 de deux solos et d\u2019une exposition, La Mue\/tte rend un vibrant hommage \u00e0 ces femmes devenues embl\u00e9matiques de la d\u00e9fense des droits de l\u2019homme. Delphine Bardot \u00e9voque celles qui ont choisi de broder pour r\u00e9sister, m\u00ealant la douceur du geste \u00e0 la f\u00e9rocit\u00e9 du drame, tandis que Santiago Moreno utilise des photos et des vid\u00e9os tir\u00e9es d\u2019archives qui rappellent la brutalit\u00e9 et le cynisme des dirigeants responsables de la disparition de 30 000 personnes.\u201d<\/p>\n

[\/et_pb_slide][et_pb_slide heading=”L\u2019HUMANIT\u00c9” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

G\u00e9rard Rossi, L\u2019HUMANIT\u00c9<\/strong><\/p>\n

\u201cAvec tact et talent la compagnie La Mue\/tte rend hommage aux m\u00e8res d\u2019Argentine qui ont longtemps d\u00e9nonc\u00e9 la \u00ab disparition \u00bb de 30 000 de leurs enfants, pendant la dictature militaire.
Deux solos et un petit film pour en dire beaucoup, presque sans un mot. Au final, ces univers se compl\u00e8tent. Dans une gamme qui d\u00e9multiplie et croise po\u00e9sie et r\u00e9alisme, sentiments et larmes, sourires et espoirs. Avec les deux com\u00e9diens, ces \u00ab folles \u00bb d\u00e9fendent le droit \u00e0 la libert\u00e9 et au respect humain, partout et toujours. Un bel hommage sensible, quarante ans apr\u00e8s.\u201d<\/p>\n

[\/et_pb_slide][et_pb_slide heading=”LA CROIX” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

Marie Soyeux, LA CROIX<\/strong><\/p>\n

\u201cDans ce spectacle, les corps des deux interpr\u00e8tes, associ\u00e9s aux objets, se retournent et se transforment \u00e0 l\u2019infini, parvenant \u00e0 incarner de multiples personnages \u2013 et m\u00eame des foules.\u201d<\/p>\n

[\/et_pb_slide][et_pb_slide heading=”LE FIGARO” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

Armelle H\u00e9liot, LE FIGARO<\/strong><\/p>\n

\u201cUn diptyque ambitieux\u00a0<\/strong>dont le th\u00e8me est celui des m\u00e8res argentines \u00e0 la recherche de leurs enfants disparus\u201d.<\/p>\n

[\/et_pb_slide][et_pb_slide heading=”TOUTELACULTURE” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

Mathieu Doctherman, TOUTELACULTURE.<\/strong><\/p>\n

\u201cLes Folles r\u00e9ussit avec une maestria d\u00e9concertante \u00e0 composer un po\u00e8me visuel sur une \u00e9tape sombre mais h\u00e9ro\u00efque de l\u2019histoire argentine. Fort et beau, virtuose et abouti.<\/strong>
La Mue\/tte r\u00e9ussit ce tour de force de tout sugg\u00e9rer avec d\u00e9licatesse et po\u00e9sie, dans un spectacle prot\u00e9iforme, entre jeu th\u00e9\u00e2tral, manipulation d\u2019objets, jeu d\u2019ombres, projections\u2026
On ressort \u00e9bloui par la palette de techniques ma\u00eetris\u00e9es par les deux interpr\u00e8tes, \u00e9mu par le propos, plus fort du sentiment d\u2019avoir \u00e9t\u00e9 enrichi, dans l\u2019esprit et dans l\u2019\u00e2me, par une proposition intelligente et sensible\u201d<\/strong>.<\/p>\n

[\/et_pb_slide][et_pb_slide heading=”LE JDD” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

Annie Ch\u00e9nieux, LE JDD<\/strong><\/p>\n

\u201cLe spectacle retient par sa force de suggestion, ses qualit\u00e9s inventives, la d\u00e9licatesse, la beaut\u00e9 et la po\u00e9sie des images, la profondeur de l\u2019\u00e9vocation et de l\u2019\u00e9motion d\u00e9gag\u00e9e, douce et forte \u00e0 la fois.\u201d<\/p>\n

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Dates \u00e0 venir<\/h3>\n

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