{"id":33979,"date":"2023-09-27T14:54:32","date_gmt":"2023-09-27T12:54:32","guid":{"rendered":"https:\/\/cielamuette.com\/site-2024\/?post_type=project&p=33979"},"modified":"2025-11-05T09:38:12","modified_gmt":"2025-11-05T08:38:12","slug":"fais-moi-male","status":"publish","type":"project","link":"https:\/\/cielamuette.com\/en\/project\/fais-moi-male\/","title":{"rendered":"Fais-moi m\u00e2le"},"content":{"rendered":"

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Fais-moi m\u00e2le<\/h3>\n

Cr\u00e9ation 2018<\/h5>\n

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Solo pour une femme mal accompagn\u00e9e, une marionnette et quelques objets.<\/strong>
Dur\u00e9e 15 min \u2013 Tout-Public \u00e0 partir de 14 ans<\/strong>
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\u201cQu\u2019est ce ce qui distingue le m\u00e2le humain du reste des animaux ? Il est le seul \u00e0 couvrir son corps de v\u00eatements et sa sexualit\u00e9 de galanterie. Que se passe t-il quand les corps de l\u2019homme et de la femme se d\u00e9nudent et que les codes du jeu de s\u00e9duction tombent ? Finit-on par ressembler \u00e0 ce que l\u2019on d\u00e9vore ?<\/p>\n

Un homme poilu, trois petits cochons, quelques fleurs, une vieille chanteuse de cabaret \u00e9voluent dans un espace de fourrure rouge au son de Johnny fais-moi mal de Boris Vian. Dans un registre \u00e0 la fois tendre et dr\u00f4le, po\u00e9tique et troublant, ce solo muet interroge aussi le corps f\u00e9minin, tout \u00e0 tour embelli, vieilli, brutalis\u00e9 ou colonis\u00e9.\u201d Carole Guidicelli.<\/p>\n

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Cette courte forme est en pr\u00e9figuration de\u00a0<\/span>Battre encore<\/span><\/span><\/a>, projet de cr\u00e9ation 2020.
Fais-moi M\u00e2le<\/strong><\/em>\u00a0en dessine d\u00e9j\u00e0 certains contours : des mati\u00e8res sc\u00e9nographiques, marionnettiques, des rapports et des changements d\u2019\u00e9chelle entre les personnages, des techniques, des relations au son et \u00e0 la musique, les jeux d\u2019alternance des \u00e9motions, un ton.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Infos<\/h3>\n
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Conception, jeu :\u00a0Delphine Bardot<\/strong>
Regard ext\u00e9rieur :\u00a0Santiago Moreno<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Avec le soutien du<\/strong>\u00a0LEM, Laboratoire d\u2019Exp\u00e9rimentation de Marionnettes de Nancy (54)<\/h6>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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\u00a0<\/div>\n<\/div>\n
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\u00a0<\/h6>\n<\/div>\n

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Pre\/sse<\/h3>\n

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LE CERCLE DE LA CRITIQUE, le 25 mai 2018
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\u201d Par le traitement du geste et des textures, la compagnie creuse un sillon de r\u00e9appropriation du corps et de son image par la femme. La po\u00e9sie marionnettique contourne une pens\u00e9e manich\u00e9enne pour construire un dialogue cherchant \u00e0 r\u00e9\u00e9quilibrer avec finesse et \u00e9l\u00e9gance la place de chacun.\u201d
Oriane Maubert<\/strong><\/p>\n

[\/et_pb_slide][et_pb_slide heading=”LE CERCLE DE LA CRITIQUE” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

\u00a0LE CERCLE DE LA CRITIQUE, le 25 mai 2018
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\u201d Dans un registre \u00e0 la fois tendre et dr\u00f4le, po\u00e9tique et troublant, ce solo muet interroge aussi le corps f\u00e9minin, tout \u00e0 tour embelli, vieilli, brutalis\u00e9 ou colonis\u00e9.\u201d
Carole Guidicelli<\/strong><\/p>\n

[\/et_pb_slide][et_pb_slide heading=”DERNI\u00c8RES NOUVELLES D\u2019ALSACE” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

DNA \u2013 DERNI\u00c8RES NOUVELLES D\u2019ALSACE, le 25 octobre 2018
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\u201d D\u00e9cal\u00e9e \u00e0 souhait, la performance de la Mue\/tte, compagnie nanc\u00e9enne de th\u00e9\u00e2tre visuel et musical. Tout chez Delphine Bardot et ses marionnettes est int\u00e9ressant : le fond et la forme, pour un embarquement imm\u00e9diat dans un univers singulier. Pas une minute des 15 imparties n\u2019\u00e9tait vaine.\u201d<\/p>\n

[\/et_pb_slide][et_pb_slide heading=”L\u2019ALSACE” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

L\u2019ALSACE, le 20 octobre 2018<\/strong><\/p>\n

\u201cLe vrai coup de c\u0153ur, de cette 1\u00e8re session de vendredi c\u2019est la cr\u00e9ation de la compagnie La Muette intitul\u00e9e\u00a0Fais-moi M\u00e2le<\/strong><\/em>. (\u2026). Un petit bijou sans paroles, qui vous happe d\u00e8s la premi\u00e8re seconde. Quinze minutes o\u00f9 vous \u00eates vraiment ailleurs, le temps d\u2019une \u00e9trange m\u00e9tamorphose.\u00bb
Fr\u00e9d\u00e9rique Meichler<\/strong><\/p>\n

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Dates \u00e0 venir<\/h3>\n

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