Marionnette -sur table, port\u00e9e, habit\u00e9e- et th\u00e9\u00e2tre d\u2019ombres<\/strong>
Tout public \u00e0 partir de 14 ans<\/strong>
Dur\u00e9e : 1\u00a0h\u00a005<\/strong>
_<\/h4>\n\n\nIl \u00e9tait une fois un pays sous le joug d\u2019un tyran qui avait l\u2019habitude de s\u2019emparer des jeunes filles les plus belles. Cet ogre sans piti\u00e9 les choisissait au cours d\u2019un bal somptueux. Trois s\u0153urs re\u00e7oivent l\u2019invitation \u00e0 cette r\u00e9ception fatale. Voici qu\u2019elles doivent danser avec le despote et ses sbires. Et si elles refusaient de se soumettre ? Prenant le parti du th\u00e9\u00e2tre visuel, Delphine Bardot explore les images que produit la confrontation entre une com\u00e9dienne et le personnage masculin qu\u2019elle manipule. Ce langage corporel raconte plus intens\u00e9ment que les mots les formes de la domination et le refus de la subir. Dans une atmosph\u00e8re inqui\u00e9tante o\u00f9 r\u00f4dent les ombres, la musique de Santiago Moreno, nourrie des airs populaires d\u2019Am\u00e9rique latine, se m\u00eale au son du violoncelle. Le r\u00e9cit est librement inspir\u00e9 de l\u2019histoire des \u00ab Mariposas \u00bb, surnom des s\u0153urs Mirabal, dominicaines assassin\u00e9es par le dictateur Trujillo, en 1960. S\u2019\u00e9loignant d\u00e9lib\u00e9r\u00e9ment de la forme documentaire, le spectacle \u00e9voque la lutte conjointe des peuples et des femmes qui d\u00e9cident de dire \u00ab non \u00bb au pouvoir militaire, \u00ab non \u00bb \u00e0 l\u2019homme oppresseur.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[\/et_pb_text][dss_masonry_gallery images=”34008,34009,34010,34011,34012,34013,34014,34015,34016,34017,34018,34019,34020,34021,34022,34023,34024″ title_in_lightbox=”on” fix_lazy=”on” _builder_version=”4.27.0″ _module_preset=”default” animation_style=”fade” animation_delay=”150ms” global_colors_info=”{}”][\/dss_masonry_gallery][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.27.0″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” transform_scale_tablet=”” transform_scale_phone=”” transform_scale_last_edited=”on|desktop” transform_translate_tablet=”0px|0px” transform_translate_phone=”0px|0px” transform_translate_last_edited=”on|phone” transform_translate_linked=”off” transform_translate_linked_tablet=”off” transform_rotate_tablet=”” transform_rotate_phone=”” transform_rotate_last_edited=”on|desktop” transform_skew_tablet=”” transform_skew_phone=”” transform_skew_last_edited=”on|desktop” transform_origin_tablet=”” transform_origin_phone=”” transform_origin_last_edited=”on|desktop” transform_styles_last_edited=”on|phone” custom_padding=”||||false|false” custom_padding_tablet=”||||false|false” custom_padding_phone=”||||false|false” custom_padding_last_edited=”on|tablet” animation_style=”slide” animation_direction=”bottom” animation_delay=”200ms” animation_intensity_slide=”2%” transform_styles_tablet=”” transform_styles_phone=”” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/cielamuette.com\/wp-content\/uploads\/2024\/09\/dossier_Battre-Encore_LaMuette.pdf” url_new_window=”on” button_text=”Dossier de diffusion” _builder_version=”4.27.2″ _module_preset=”default” custom_button=”on” button_text_size=”14px” button_text_color=”#FFFFFF” button_bg_color=”#17657d” button_border_width=”1px” button_border_color=”RGBA(255,255,255,0)” button_border_radius=”2px” button_font=”–et_global_body_font|600|||||||” custom_margin=”||2px|0px|false|false” custom_margin_tablet=”-35px|||0px|false|false” custom_margin_phone=”-60px|||0px|false|false” custom_margin_last_edited=”on|phone” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_button][et_pb_button button_url=”https:\/\/cielamuette.com\/wp-content\/uploads\/2025\/04\/Artistic-File_Battre-Encore_LaMuette_2021.pdf” url_new_window=”on” button_text=”Artistic File” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_size=”14px” button_text_color=”#FFFFFF” button_bg_color=”#17657d” button_border_width=”1px” button_border_color=”RGBA(255,255,255,0)” button_border_radius=”2px” button_font=”–et_global_body_font|600|||||||” custom_margin=”|||0px|false|false” custom_padding=”||||false|false” hover_enabled=”0″ global_colors_info=”{}” admin_label=”artistic file” sticky_enabled=”0″][\/et_pb_button][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font=”–et_global_body_font||||||||” text_text_color=”#263033″ text_line_height=”1.5em” header_3_font=”–et_global_heading_font|600||on|on|||#17657d|” header_3_font_size=”18px” header_3_letter_spacing=”1px” header_3_line_height=”1.1em” header_5_text_color=”#6b6b6b” header_5_font_size=”13px” header_5_line_height=”1.2em” header_6_font=”–et_global_body_font||||||||” header_6_text_color=”#263033″ header_6_font_size=”13px” header_6_line_height=”1.4em” background_color=”#FFFFFF” custom_padding=”30px|20px|30px|20px|false|false” custom_padding_tablet=”|||20px|false|false” custom_padding_phone=”|10px||10px|false|false” custom_padding_last_edited=”on|tablet” border_radii=”off||30px||30px” global_colors_info=”{}”]<\/p>\n
Infos<\/h3>\n
Mise en sc\u00e8ne\u00a0<\/strong>: Delphine Bardot et Pierre Tual
Dramaturgie\u00a0<\/strong>: Delphine Bardot, Pierre Tual et Pauline Thimonnier
Texte\u00a0<\/strong>: Pauline Thimonnier
Cr\u00e9ation musicale<\/strong>\u00a0: Santiago Moreno
Interpr\u00e9tation\u00a0<\/strong>: Delphine Bardot, Bernadette Ladener et Am\u00e9lie Patard
Conception lumi\u00e8re<\/strong>\u00a0: Jo\u00ebl Fabing
Cr\u00e9ation lumi\u00e8re et r\u00e9gie<\/strong>\u00a0: Charline Dereims
Costumes<\/strong>\u00a0: Daniel Trento
Marionnettes, ombres et objets anim\u00e9s<\/strong>\u00a0: Delphine Bardot, Lucie Cunningham et Santiago Moreno
Sc\u00e9nographie \u2013 conception<\/strong>\u00a0: Delphine Bardot et Daniel Trento
Sc\u00e9nographie \u2013 r\u00e9alisation<\/strong>\u00a0: Daniel Trento, Carole Nobiron et \u00c9meline Thierion
Production & Diffusion :<\/strong>\u00a0Claire Girod
Assistanat de Production<\/strong>\u00a0: Aur\u00e9lie Burgun
Communication<\/strong>\u00a0: Sandrine Hernandez<\/p>\n <\/p>\n
PARTENAIRES<\/h3>\nCoproduction :\u00a0<\/strong>La Manufacture, CDN Nancy Lorraine \/54 ; CCAM, Sc\u00e8ne nationale de Vand\u0153uvre-l\u00e8s-Nancy \/54 ; Th\u00e9\u00e2tre La M\u00e9ridienne, Sc\u00e8ne conventionn\u00e9e pour les \u00e9critures crois\u00e9es de Lun\u00e9ville \/54 ; Transversales, Sc\u00e8ne conventionn\u00e9e cirque de Verdun \/55 ; Le Sablier, Centre national de la marionnette en pr\u00e9paration, Ifs et Dives-sur-Mer ; La Machinerie 54, Sc\u00e8ne conventionn\u00e9e d\u2019int\u00e9r\u00eat national (en cours d\u2019habilitation) d\u2019Hom\u00e9court \/54<\/h6>\nPr\u00e9-achats<\/strong>\u00a0: Le Mouffetard, th\u00e9\u00e2tre des arts de la marionnette de Paris \/75, Le Triangle de Huningue \/68<\/h6>\nAccueil en r\u00e9sidence<\/strong>\u00a0: Le LEM, Lieu d\u2019Exp\u00e9rimentation Marionnette de Nancy \/54, Le Th\u00e9\u00e2tre de la Source de Tomblaine \/54<\/h6>\nSoutiens<\/strong>\u00a0:\u00a0Battre encore<\/em>\u00a0a re\u00e7u le soutien de la Direction r\u00e9gionale des affaires culturelles Grand Est. Ce projet a b\u00e9n\u00e9fici\u00e9 de l\u2019aide de la Ville de Nancy.<\/h6>\n[\/et_pb_text][et_pb_text admin_label=”Title” _builder_version=”4.27.0″ text_font=”||||||||” text_text_color=”#494949″ link_font=”||||on|||#f46624|” link_text_color=”#333333″ header_font=”||||||||” header_2_font=”Montserrat|600||on|||||” header_2_text_align=”center” header_2_font_size=”30px” header_3_font=”Abel|300||on|||||” header_3_text_color=”#FFFFFF” header_3_font_size=”30px” header_3_letter_spacing=”2px” transform_scale_tablet=”” transform_scale_phone=”” transform_scale_last_edited=”on|desktop” transform_translate_tablet=”-36px|0px” transform_translate_phone=”-20px|0px” transform_translate_last_edited=”on|phone” transform_translate_linked=”off” transform_rotate_tablet=”” transform_rotate_phone=”” transform_rotate_last_edited=”on|desktop” transform_skew_tablet=”” transform_skew_phone=”” transform_skew_last_edited=”on|desktop” transform_origin_tablet=”” transform_origin_phone=”” transform_origin_last_edited=”on|desktop” transform_styles_last_edited=”on|phone” text_orientation=”center” module_alignment=”center” custom_margin=”||10px||false|false” custom_padding_tablet=”|||30px|false|false” custom_padding_phone=”|||20px|false|false” custom_padding_last_edited=”on|desktop” animation_style=”slide” animation_direction=”top” animation_duration=”1100ms” animation_delay=”200ms” animation_intensity_slide=”5%” animation_starting_opacity=”100%” transform_styles_tablet=”” transform_styles_phone=”” global_colors_info=”{}”]<\/p>\n
Pre\/sse<\/h3>\n
[\/et_pb_text][et_pb_slider _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|300|||||||” header_font_size=”22px” header_letter_spacing=”1px” background_color=”#17657d” custom_padding=”30px|20px|60px|20px|false|false” custom_padding_tablet=”30px|20px|60px|20px|false|false” custom_padding_phone=”30px|20px|60px|20px|false|false” custom_padding_last_edited=”on|desktop” global_colors_info=”{}”][et_pb_slide heading=”Le Monde” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
\u201c<\/i>Un spectacle puissant et \u00e9mouvant<\/em>\u201d<\/i>
Cristina Marino, LE MONDE<\/strong><\/p>\n[\/et_pb_slide][et_pb_slide heading=”T\u00e9l\u00e9rama” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
\u201c<\/i>Un spectacle intense, sensible, virtuose, \u00e9videmment n\u00e9cessaire.<\/em>\u201d\u00a0<\/i>TT<\/i>
Thierry Voisin, T\u00c9L\u00c9RAMA<\/strong><\/p>\n[\/et_pb_slide][et_pb_slide heading=”TOUTE LA CULTURE” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
\u201cUn spectacle en forme de cri silencieux, pour montrer la violence et l\u2019injustice, et la rage qu\u2019elles font na\u00eetre. Sans concession mais pas sans subtilit\u00e9, visuellement superbe, musicalement r\u00e9ussi, \u00e0 d\u00e9couvrir absolument<\/em>.\u201d
Mathieu Dochtermann, TOUTE LA CULTURE.<\/strong><\/p>\n[\/et_pb_slide][et_pb_slide heading=”LES INROCKUPTIBLES” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
\u201cLa Mue\/tte propose dans cet anti-conte de f\u00e9es de d\u00e9construire les clich\u00e9s autour de la violence exerc\u00e9e sur les femmes.<\/em>\u201c
LES INROCKUPTIBLES<\/strong><\/p>\n[\/et_pb_slide][et_pb_slide heading=”LA GRANDE PARADE” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
\u201cOn s\u2019e\u0301merveille de tant d\u2019inge\u0301niosite\u0301, on se demande combien de personnes sont la\u0300, derrie\u0300re, pour mettre en mouvement tout ce qui se de\u0301place sur sce\u0300ne. C\u2019est beau ! .<\/em>\u201c
LA GRANDE PARADE<\/strong><\/p>\n[\/et_pb_slide][et_pb_slide heading=”TH\u00c9\u00c2TRE DU BLOG” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n
\u201cLes metteurs en sce\u0300ne conjuguent avec habilete\u0301 plusieurs techniques\u00a0: marionnettes porte\u0301es par les \u00abcorps-castelets\u00bb des interpre\u0300tes, ombres chinoises, projections, mannequins, fragments de corps, masques\u2026 Les fondus-enchaine\u0301s te\u0301moignent de la virtuosite\u0301 de ces artistes\u2026 \u201c<\/em>
TH\u00c9\u00c2TRE DU BLOG<\/strong><\/p>\n[\/et_pb_slide][\/et_pb_slider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” make_equal=”on” custom_padding_last_edited=”on|desktop” _builder_version=”4.27.0″ _module_preset=”default” width=”75%” custom_margin=”0px||||false|false” custom_padding=”0px|0px||0px|false|false” custom_padding_tablet=”20px||||false|false” custom_padding_phone=”20px||||false|false” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_text admin_label=”Title” _builder_version=”4.27.0″ text_font=”||||||||” text_text_color=”#494949″ link_font=”||||on|||#f46624|” link_text_color=”#333333″ header_font=”||||||||” header_2_font=”Montserrat|600||on|||||” header_2_text_align=”center” header_2_font_size=”30px” header_3_font=”Abel|300||on|||||” header_3_text_color=”#FFFFFF” header_3_font_size=”30px” header_3_letter_spacing=”2px” transform_scale_tablet=”” transform_scale_phone=”” transform_scale_last_edited=”on|desktop” transform_translate_tablet=”-36px|0px” transform_translate_phone=”-20px|0px” transform_translate_last_edited=”on|phone” transform_translate_linked=”off” transform_rotate_tablet=”” transform_rotate_phone=”” transform_rotate_last_edited=”on|desktop” transform_skew_tablet=”” transform_skew_phone=”” transform_skew_last_edited=”on|desktop” transform_origin_tablet=”” transform_origin_phone=”” transform_origin_last_edited=”on|desktop” transform_styles_last_edited=”on|phone” text_orientation=”center” max_width=”800px” module_alignment=”center” custom_margin=”|0px|10px|0px|false|false” custom_padding=”|0px||0px|false|false” animation_style=”slide” animation_direction=”top” animation_duration=”1100ms” animation_delay=”200ms” animation_intensity_slide=”5%” animation_starting_opacity=”100%” transform_styles_tablet=”” transform_styles_phone=”” global_colors_info=”{}”]<\/p>\n
Dates \u00e0 venir<\/h3>\n
[\/et_pb_text][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” background_color=”#f7f7f7″ custom_padding=”20px|20px|20px|20px|false|false” border_radii=”off|20px||20px|” global_colors_info=”{}”]<\/p>\n
Il \u00e9tait une fois un pays sous le joug d\u2019un tyran qui avait l\u2019habitude de s\u2019emparer des jeunes filles les plus belles. Cet ogre sans piti\u00e9 les choisissait au cours d\u2019un bal somptueux. Trois s\u0153urs re\u00e7oivent l\u2019invitation \u00e0 cette r\u00e9ception fatale. Voici qu\u2019elles doivent danser avec le despote et ses sbires. Et si elles refusaient de se soumettre ? Prenant le parti du th\u00e9\u00e2tre visuel, Delphine Bardot explore les images que produit la confrontation entre une com\u00e9dienne et le personnage masculin qu\u2019elle manipule. Ce langage corporel raconte plus intens\u00e9ment que les mots les formes de la domination et le refus de la subir. Dans une atmosph\u00e8re inqui\u00e9tante o\u00f9 r\u00f4dent les ombres, la musique de Santiago Moreno, nourrie des airs populaires d\u2019Am\u00e9rique latine, se m\u00eale au son du violoncelle. Le r\u00e9cit est librement inspir\u00e9 de l\u2019histoire des \u00ab Mariposas \u00bb, surnom des s\u0153urs Mirabal, dominicaines assassin\u00e9es par le dictateur Trujillo, en 1960. S\u2019\u00e9loignant d\u00e9lib\u00e9r\u00e9ment de la forme documentaire, le spectacle \u00e9voque la lutte conjointe des peuples et des femmes qui d\u00e9cident de dire \u00ab non \u00bb au pouvoir militaire, \u00ab non \u00bb \u00e0 l\u2019homme oppresseur.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
[\/et_pb_text][dss_masonry_gallery images=”34008,34009,34010,34011,34012,34013,34014,34015,34016,34017,34018,34019,34020,34021,34022,34023,34024″ title_in_lightbox=”on” fix_lazy=”on” _builder_version=”4.27.0″ _module_preset=”default” animation_style=”fade” animation_delay=”150ms” global_colors_info=”{}”][\/dss_masonry_gallery][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.27.0″ _module_preset=”default” background_color=”RGBA(255,255,255,0)” transform_scale_tablet=”” transform_scale_phone=”” transform_scale_last_edited=”on|desktop” transform_translate_tablet=”0px|0px” transform_translate_phone=”0px|0px” transform_translate_last_edited=”on|phone” transform_translate_linked=”off” transform_translate_linked_tablet=”off” transform_rotate_tablet=”” transform_rotate_phone=”” transform_rotate_last_edited=”on|desktop” transform_skew_tablet=”” transform_skew_phone=”” transform_skew_last_edited=”on|desktop” transform_origin_tablet=”” transform_origin_phone=”” transform_origin_last_edited=”on|desktop” transform_styles_last_edited=”on|phone” custom_padding=”||||false|false” custom_padding_tablet=”||||false|false” custom_padding_phone=”||||false|false” custom_padding_last_edited=”on|tablet” animation_style=”slide” animation_direction=”bottom” animation_delay=”200ms” animation_intensity_slide=”2%” transform_styles_tablet=”” transform_styles_phone=”” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/cielamuette.com\/wp-content\/uploads\/2024\/09\/dossier_Battre-Encore_LaMuette.pdf” url_new_window=”on” button_text=”Dossier de diffusion” _builder_version=”4.27.2″ _module_preset=”default” custom_button=”on” button_text_size=”14px” button_text_color=”#FFFFFF” button_bg_color=”#17657d” button_border_width=”1px” button_border_color=”RGBA(255,255,255,0)” button_border_radius=”2px” button_font=”–et_global_body_font|600|||||||” custom_margin=”||2px|0px|false|false” custom_margin_tablet=”-35px|||0px|false|false” custom_margin_phone=”-60px|||0px|false|false” custom_margin_last_edited=”on|phone” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_button][et_pb_button button_url=”https:\/\/cielamuette.com\/wp-content\/uploads\/2025\/04\/Artistic-File_Battre-Encore_LaMuette_2021.pdf” url_new_window=”on” button_text=”Artistic File” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_size=”14px” button_text_color=”#FFFFFF” button_bg_color=”#17657d” button_border_width=”1px” button_border_color=”RGBA(255,255,255,0)” button_border_radius=”2px” button_font=”–et_global_body_font|600|||||||” custom_margin=”|||0px|false|false” custom_padding=”||||false|false” hover_enabled=”0″ global_colors_info=”{}” admin_label=”artistic file” sticky_enabled=”0″][\/et_pb_button][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font=”–et_global_body_font||||||||” text_text_color=”#263033″ text_line_height=”1.5em” header_3_font=”–et_global_heading_font|600||on|on|||#17657d|” header_3_font_size=”18px” header_3_letter_spacing=”1px” header_3_line_height=”1.1em” header_5_text_color=”#6b6b6b” header_5_font_size=”13px” header_5_line_height=”1.2em” header_6_font=”–et_global_body_font||||||||” header_6_text_color=”#263033″ header_6_font_size=”13px” header_6_line_height=”1.4em” background_color=”#FFFFFF” custom_padding=”30px|20px|30px|20px|false|false” custom_padding_tablet=”|||20px|false|false” custom_padding_phone=”|10px||10px|false|false” custom_padding_last_edited=”on|tablet” border_radii=”off||30px||30px” global_colors_info=”{}”]<\/p>\n
Infos<\/h3>\n
Mise en sc\u00e8ne\u00a0<\/strong>: Delphine Bardot et Pierre Tual <\/p>\n [\/et_pb_text][et_pb_text admin_label=”Title” _builder_version=”4.27.0″ text_font=”||||||||” text_text_color=”#494949″ link_font=”||||on|||#f46624|” link_text_color=”#333333″ header_font=”||||||||” header_2_font=”Montserrat|600||on|||||” header_2_text_align=”center” header_2_font_size=”30px” header_3_font=”Abel|300||on|||||” header_3_text_color=”#FFFFFF” header_3_font_size=”30px” header_3_letter_spacing=”2px” transform_scale_tablet=”” transform_scale_phone=”” transform_scale_last_edited=”on|desktop” transform_translate_tablet=”-36px|0px” transform_translate_phone=”-20px|0px” transform_translate_last_edited=”on|phone” transform_translate_linked=”off” transform_rotate_tablet=”” transform_rotate_phone=”” transform_rotate_last_edited=”on|desktop” transform_skew_tablet=”” transform_skew_phone=”” transform_skew_last_edited=”on|desktop” transform_origin_tablet=”” transform_origin_phone=”” transform_origin_last_edited=”on|desktop” transform_styles_last_edited=”on|phone” text_orientation=”center” module_alignment=”center” custom_margin=”||10px||false|false” custom_padding_tablet=”|||30px|false|false” custom_padding_phone=”|||20px|false|false” custom_padding_last_edited=”on|desktop” animation_style=”slide” animation_direction=”top” animation_duration=”1100ms” animation_delay=”200ms” animation_intensity_slide=”5%” animation_starting_opacity=”100%” transform_styles_tablet=”” transform_styles_phone=”” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_slider _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|300|||||||” header_font_size=”22px” header_letter_spacing=”1px” background_color=”#17657d” custom_padding=”30px|20px|60px|20px|false|false” custom_padding_tablet=”30px|20px|60px|20px|false|false” custom_padding_phone=”30px|20px|60px|20px|false|false” custom_padding_last_edited=”on|desktop” global_colors_info=”{}”][et_pb_slide heading=”Le Monde” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n \u201c<\/i>Un spectacle puissant et \u00e9mouvant<\/em>\u201d<\/i> [\/et_pb_slide][et_pb_slide heading=”T\u00e9l\u00e9rama” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n \u201c<\/i>Un spectacle intense, sensible, virtuose, \u00e9videmment n\u00e9cessaire.<\/em>\u201d\u00a0<\/i>TT<\/i> [\/et_pb_slide][et_pb_slide heading=”TOUTE LA CULTURE” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n \u201cUn spectacle en forme de cri silencieux, pour montrer la violence et l\u2019injustice, et la rage qu\u2019elles font na\u00eetre. Sans concession mais pas sans subtilit\u00e9, visuellement superbe, musicalement r\u00e9ussi, \u00e0 d\u00e9couvrir absolument<\/em>.\u201d [\/et_pb_slide][et_pb_slide heading=”LES INROCKUPTIBLES” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n \u201cLa Mue\/tte propose dans cet anti-conte de f\u00e9es de d\u00e9construire les clich\u00e9s autour de la violence exerc\u00e9e sur les femmes.<\/em>\u201c [\/et_pb_slide][et_pb_slide heading=”LA GRANDE PARADE” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n \u201cOn s\u2019e\u0301merveille de tant d\u2019inge\u0301niosite\u0301, on se demande combien de personnes sont la\u0300, derrie\u0300re, pour mettre en mouvement tout ce qui se de\u0301place sur sce\u0300ne. C\u2019est beau ! .<\/em>\u201c [\/et_pb_slide][et_pb_slide heading=”TH\u00c9\u00c2TRE DU BLOG” _builder_version=”4.27.0″ _module_preset=”default” header_font=”–et_global_heading_font|||on|||||” header_text_align=”left” header_line_height=”2.7em” text_orientation=”left” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n \u201cLes metteurs en sce\u0300ne conjuguent avec habilete\u0301 plusieurs techniques\u00a0: marionnettes porte\u0301es par les \u00abcorps-castelets\u00bb des interpre\u0300tes, ombres chinoises, projections, mannequins, fragments de corps, masques\u2026 Les fondus-enchaine\u0301s te\u0301moignent de la virtuosite\u0301 de ces artistes\u2026 \u201c<\/em> [\/et_pb_slide][\/et_pb_slider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” make_equal=”on” custom_padding_last_edited=”on|desktop” _builder_version=”4.27.0″ _module_preset=”default” width=”75%” custom_margin=”0px||||false|false” custom_padding=”0px|0px||0px|false|false” custom_padding_tablet=”20px||||false|false” custom_padding_phone=”20px||||false|false” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”|0px||0px|false|false” global_colors_info=”{}”][et_pb_text admin_label=”Title” _builder_version=”4.27.0″ text_font=”||||||||” text_text_color=”#494949″ link_font=”||||on|||#f46624|” link_text_color=”#333333″ header_font=”||||||||” header_2_font=”Montserrat|600||on|||||” header_2_text_align=”center” header_2_font_size=”30px” header_3_font=”Abel|300||on|||||” header_3_text_color=”#FFFFFF” header_3_font_size=”30px” header_3_letter_spacing=”2px” transform_scale_tablet=”” transform_scale_phone=”” transform_scale_last_edited=”on|desktop” transform_translate_tablet=”-36px|0px” transform_translate_phone=”-20px|0px” transform_translate_last_edited=”on|phone” transform_translate_linked=”off” transform_rotate_tablet=”” transform_rotate_phone=”” transform_rotate_last_edited=”on|desktop” transform_skew_tablet=”” transform_skew_phone=”” transform_skew_last_edited=”on|desktop” transform_origin_tablet=”” transform_origin_phone=”” transform_origin_last_edited=”on|desktop” transform_styles_last_edited=”on|phone” text_orientation=”center” max_width=”800px” module_alignment=”center” custom_margin=”|0px|10px|0px|false|false” custom_padding=”|0px||0px|false|false” animation_style=”slide” animation_direction=”top” animation_duration=”1100ms” animation_delay=”200ms” animation_intensity_slide=”5%” animation_starting_opacity=”100%” transform_styles_tablet=”” transform_styles_phone=”” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” background_color=”#f7f7f7″ custom_padding=”20px|20px|20px|20px|false|false” border_radii=”off|20px||20px|” global_colors_info=”{}”]<\/p>\n
Dramaturgie\u00a0<\/strong>: Delphine Bardot, Pierre Tual et Pauline Thimonnier
Texte\u00a0<\/strong>: Pauline Thimonnier
Cr\u00e9ation musicale<\/strong>\u00a0: Santiago Moreno
Interpr\u00e9tation\u00a0<\/strong>: Delphine Bardot, Bernadette Ladener et Am\u00e9lie Patard
Conception lumi\u00e8re<\/strong>\u00a0: Jo\u00ebl Fabing
Cr\u00e9ation lumi\u00e8re et r\u00e9gie<\/strong>\u00a0: Charline Dereims
Costumes<\/strong>\u00a0: Daniel Trento
Marionnettes, ombres et objets anim\u00e9s<\/strong>\u00a0: Delphine Bardot, Lucie Cunningham et Santiago Moreno
Sc\u00e9nographie \u2013 conception<\/strong>\u00a0: Delphine Bardot et Daniel Trento
Sc\u00e9nographie \u2013 r\u00e9alisation<\/strong>\u00a0: Daniel Trento, Carole Nobiron et \u00c9meline Thierion
Production & Diffusion :<\/strong>\u00a0Claire Girod
Assistanat de Production<\/strong>\u00a0: Aur\u00e9lie Burgun
Communication<\/strong>\u00a0: Sandrine Hernandez<\/p>\nPARTENAIRES<\/h3>\n
Coproduction :\u00a0<\/strong>La Manufacture, CDN Nancy Lorraine \/54 ; CCAM, Sc\u00e8ne nationale de Vand\u0153uvre-l\u00e8s-Nancy \/54 ; Th\u00e9\u00e2tre La M\u00e9ridienne, Sc\u00e8ne conventionn\u00e9e pour les \u00e9critures crois\u00e9es de Lun\u00e9ville \/54 ; Transversales, Sc\u00e8ne conventionn\u00e9e cirque de Verdun \/55 ; Le Sablier, Centre national de la marionnette en pr\u00e9paration, Ifs et Dives-sur-Mer ; La Machinerie 54, Sc\u00e8ne conventionn\u00e9e d\u2019int\u00e9r\u00eat national (en cours d\u2019habilitation) d\u2019Hom\u00e9court \/54<\/h6>\n
Pr\u00e9-achats<\/strong>\u00a0: Le Mouffetard, th\u00e9\u00e2tre des arts de la marionnette de Paris \/75, Le Triangle de Huningue \/68<\/h6>\n
Accueil en r\u00e9sidence<\/strong>\u00a0: Le LEM, Lieu d\u2019Exp\u00e9rimentation Marionnette de Nancy \/54, Le Th\u00e9\u00e2tre de la Source de Tomblaine \/54<\/h6>\n
Soutiens<\/strong>\u00a0:\u00a0Battre encore<\/em>\u00a0a re\u00e7u le soutien de la Direction r\u00e9gionale des affaires culturelles Grand Est. Ce projet a b\u00e9n\u00e9fici\u00e9 de l\u2019aide de la Ville de Nancy.<\/h6>\n
Pre\/sse<\/h3>\n
Cristina Marino, LE MONDE<\/strong><\/p>\n
Thierry Voisin, T\u00c9L\u00c9RAMA<\/strong><\/p>\n
Mathieu Dochtermann, TOUTE LA CULTURE.<\/strong><\/p>\n
LES INROCKUPTIBLES<\/strong><\/p>\n
LA GRANDE PARADE<\/strong><\/p>\n
TH\u00c9\u00c2TRE DU BLOG<\/strong><\/p>\nDates \u00e0 venir<\/h3>\n