{"id":34075,"date":"2024-09-27T17:24:46","date_gmt":"2024-09-27T15:24:46","guid":{"rendered":"https:\/\/cielamuette.com\/site-2024\/?post_type=project&p=34075"},"modified":"2026-03-31T14:39:46","modified_gmt":"2026-03-31T12:39:46","slug":"soledad","status":"publish","type":"project","link":"https:\/\/cielamuette.com\/en\/project\/soledad\/","title":{"rendered":"Soledad"},"content":{"rendered":"

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Soledad<\/h3>\n

Cr\u00e9ation 2025<\/h5>\n

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Le bal des solitudes\u00a0
Marionnettes, magie et musique
Tout public, \u00e0 partir de 8 ans – 50 minutes
En salle
<\/strong>_<\/h4>\n
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Soledad<\/em> explore la dimension th\u00e9\u00e2trale et m\u00e9taphorique de la figure singuli\u00e8re de L’Homme-orchestre<\/i><\/b> en repoussant les limites de sa d\u00e9multiplication et de son ubiquit\u00e9 gr\u00e2ce aux outils subtils qu\u2019offre le plateau (la lumi\u00e8re et le th\u00e9\u00e2tre au noir, la magie) et aux techniques marionnettiques (masques, automates, ombres). Le corps musiquant se scinde, s\u2019hybride. Seul par essence, il s\u2019augmente et se r\u00e9invente.<\/div>\n
Santiago Moreno propose au spectateur\u00b7ice une travers\u00e9e onirique, parfois burlesque, parfois inqui\u00e9tante, \u00e0 la rencontre de ses solitudes. Il nous livre l\u2019histoire d\u2019un personnage en mue qui d\u00e9couvre que je est un autre. Celle d\u2019un homme seul dans la foule de sa t\u00eate qui invite cet autre pour une petite danse.<\/div>\n
Nous d\u00e9couvrons alors comment un homme s\u2019adapte \u00e0 sa solitude, l\u2019habite, la trompe gr\u00e2ce \u00e0 la musique et la po\u00e9sie.<\/div>\n
<\/div>\n<\/div>\n
\u00a9 Photos Vincent Zobler<\/div>\n<\/div>\n<\/div>\n

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Distribution<\/h3>\n

Conception : Santiago Moreno<\/strong>
Co-\u00e9criture et mise en sc\u00e8ne : Delphine Bardot, Santiago Moreno <\/strong>et Beno\u00eet Dattez<\/strong>
Interpr\u00e9tation, manipulation et musique : Santiago Moreno<\/strong>
Manipulation et pr\u00e9sence magique : Benoit Dattez<\/strong> en alternance avec Marion Tr\u00e4ger<\/strong>
Construction : Delphine Bardot<\/strong> et Santiago Moreno<\/strong>
Cr\u00e9ation lumi\u00e8res : Fr\u00e9d\u00e9ric Toussaint<\/strong>
Cr\u00e9ation son : Floxel Barbelin<\/strong> et Nicolas Pierre<\/strong>
Environnement sonore : Gabriel Fabing<\/strong> et Santiago Moreno<\/strong>
Composition musicale : Santiago Moreno<\/strong>
Costume et ombres : Lucie Cunningham<\/strong>
Production : Claire Girod<\/strong>
Assistanat \u00e0 la production : Aur\u00e9lie Fischer<\/strong>
Diffusion : Elora Girodon<\/strong>
Communication : Sandrine Hernandez<\/strong><\/p>\n

 <\/p>\n

PARTENAIRES<\/h3>\n
Coproduction\u00a0:\u00a0<\/strong>Le Mouffetard, CNMa de Paris \u2022 CCAM, Sce\u0300ne nationale de Vand\u0153uvre-le\u0300s-Nancy \u2022 Le LEM, Lieu d\u2019Expe\u0301rimentation Marionnettes de Nancy \u2022 Abbaye de Neim\u00ebnster \u2022 Espace Je\u0301liote, CNMa d\u2019Oloron-Sainte-Marie<\/h6>\n
Accueil en r\u00e9sidence :\u00a0<\/strong>TGP, Frouard<\/h6>\n
Pr\u00e9-achat<\/strong> : Espace 110 – Centre Culturel d\u2019Illzach – Sc\u00e8ne conventionn\u00e9e d’int\u00e9r\u00eat national \u00ab art et cr\u00e9ation \u00bb \u2022 Passages, transfestival de Metz<\/h6>\n
Remerciements<\/strong> : avec l\u2019aide de la classe de terminale baccalaur\u00e9at professionnel Ouvrages du B\u00e2timent M\u00e9tallerie du lyc\u00e9e Boutet de Monvel de Lun\u00e9ville (ann\u00e9e 2024-2025) qui a r\u00e9alis\u00e9 une partie des d\u00e9cors avec leur enseignant Fr\u00e9d\u00e9ric Allegrini<\/h6>\n
Avec le soutien financier de la Ville de Nancy, la Ville de Paris et du d\u00e9partement de Meurthe-et-Moselle.<\/strong><\/h6>\n

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Pre\/sse<\/h3>\n

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TTT<\/strong> “Une parfaite ma\u00eetrise de la marionnette, du masque, des ombres et de la magie.”<\/p>\n

[\/et_pb_slide][et_pb_slide _builder_version=”4.27.6″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″ heading=”SPEED RADIO”]<\/p>\n

“Burlesque et po\u00e9sie se rejoignent pour nous offrir une performance remarquable, sans qu\u2019aucune voix humaine ne s\u2019\u00e9l\u00e8ve. Juste un corps, entour\u00e9 d\u2019automates et d\u2019ing\u00e9niosit\u00e9. Bluffant.”
<\/strong><\/em>Jade Vitse<\/p>\n

[\/et_pb_slide][et_pb_slide _builder_version=”4.27.6″ _module_preset=”default” heading=”LA REVUE DU SPECTACLE” hover_enabled=”0″ sticky_enabled=”0″]<\/p>\n

“Dans “Soledad” Santiago Moreno transforme le silence de la solitude en fanfare ensoleill\u00e9e”.<\/strong><\/em>
Bruno Fougni\u00e8s<\/p>\n

[\/et_pb_slide][et_pb_slide _builder_version=”4.27.6″ _module_preset=”default” heading=”COUP D’OEIL” hover_enabled=”0″ sticky_enabled=”0″]<\/p>\n

“Santiago Moreno donne corps \u00e0 un personnage aux abois pour lequel tout est musique. Un pr\u00e9texte id\u00e9al pour imaginer un objet th\u00e9\u00e2tral hybride et d’une grande inventivit\u00e9.”
<\/strong><\/em>Mathis Grossos<\/p>\n

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Dates \u00e0 venir<\/h3>\n

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