{"id":36049,"date":"2025-12-02T14:07:25","date_gmt":"2025-12-02T13:07:25","guid":{"rendered":"https:\/\/cielamuette.com\/?post_type=project&p=36049"},"modified":"2026-07-17T14:41:33","modified_gmt":"2026-07-17T12:41:33","slug":"conference-sur-linvisibilisation-dune-marionnettiste","status":"publish","type":"project","link":"https:\/\/cielamuette.com\/en\/project\/conference-sur-linvisibilisation-dune-marionnettiste\/","title":{"rendered":"Conference on the invisibility of a puppeteer"},"content":{"rendered":"

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Conf\u00e9rence sur l’invisibilisation d’une marionnettiste<\/h3>\n

Cr\u00e9ation juillet 2025<\/h5>\n

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\u00a0<\/h4>\n

Conf\u00e9rence<\/strong>
Dur\u00e9e 1 h
Tout public \u00e0 partir de 14 ans
_<\/h4>\n
\n
Dans ma r\u00e9flexion f\u00e9ministe, la question de l\u2019invisibilisation syst\u00e9mique des femmes est venue se frotter avec espi\u00e8glerie \u00e0 mon m\u00e9tier de marionnettiste. Alors m\u00eame qu\u2019en 2025 on d\u00e9busque patiemment tous les endroits d\u2019effacements r\u00e9currents des femmes (dans l\u2019histoire, dans l\u2019espace public, dans notre quotidien), je me suis interrog\u00e9e sur le lien entre mes luttes et mes pratiques. Sur mes contradictions aussi. Comment notamment je m\u2019invisibilise au profit de l\u2019objet et me fonds dans le d\u00e9cor ou au contraire la fa\u00e7on dont je tue la marionnette et viens prendre la lumi\u00e8re ? Pourquoi j\u2019ai choisi ce m\u00e9tier en particulier.<\/div>\n
\u00a0<\/div>\n
Ph\u00e9nom\u00e8ne troublant et attest\u00e9 sociologiquement : il parait qu\u2019\u00e0 partir de 50 ans, les femmes s\u2019\u00e9vaporent myst\u00e9rieusement de nos repr\u00e9sentations\u2026
Mais o\u00f9 vont-elles ?<\/div>\n
\u00a0<\/div>\n
Cagoul\u00e9e ou non, avec et sans marionnette, je vous propose de partager ces r\u00e9flexions, qui me conduisent vers la cr\u00e9ation d’Invisible<\/em>, monologue pour une femme en voie de disparition dont la cr\u00e9ation est pr\u00e9vue \u00e0 l’automne 2028.<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n

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\u00c9quipe de cr\u00e9ation<\/h3>\n

Co-\u00e9criture et interpr\u00e9tation Delphine Bardot<\/strong>
Costume-d\u00e9cor Daniel Trento<\/strong>
Relectrices Elora Girodon<\/strong> et Sandrine Hernandez<\/strong><\/p>\n

 <\/p>\n

Partenaires<\/h3>\n
Pr\u00e9-achat<\/strong> : Le Sablier – Centre national de la marionnette, Ifs – Dives-sur-Mer<\/h6>\n

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Pre\/sse<\/h3>\n

[\/et_pb_text][et_pb_slider disabled_on=”on|on|on” admin_label=”Diapo presse” _builder_version=”4.27.7″ _module_preset=”default” header_font=”–et_global_heading_font|300|||||||” header_font_size=”22px” header_letter_spacing=”1px” background_color=”#17657d” custom_padding=”30px|20px|60px|20px|false|false” custom_padding_tablet=”30px|20px|60px|20px|false|false” custom_padding_phone=”30px|20px|60px|20px|false|false” custom_padding_last_edited=”on|desktop” disabled=”on” global_colors_info=”{}”][et_pb_slide heading=”Ouest France” _builder_version=”4.27.0″ _module_preset=”default” header_text_align=”left” header_line_height=”1.6em” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

Au festival des arts de la rue, les visiteurs ont pu d\u00e9couvrir un artiste bien \u00e9quip\u00e9. \u00c9quip\u00e9 d\u2019une quinzaine d\u2019instruments, L\u2019Homme Orchestre intrigue et fascine par son art.<\/span>
Il est bien po\u00e9tique cet homme-orchestre<\/span>\u00a0au festival des Accroche-c\u0153urs<\/a><\/span><\/strong>, avec sa guitare \u00e0 la main et sa batterie sur le dos !<\/span>
Avec une incroyable dext\u00e9rit\u00e9 et un v\u00e9ritable savoir-faire, et avec ses musiques venues tout droit d\u2019Am\u00e9rique Latine, l\u2019homme-orchestre fait voyager ses spectateurs \u00e0 coup s\u00fbr !<\/span><\/p>\n

Jean BLAQUIERE<\/strong>\u00a0\u2013\u00a0Ouest France \u2013 8\/09\/18<\/span><\/p>\n

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Dates \u00e0 venir<\/h3>\n

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